Every time I speak to my mom on the phone she asks me if I’ve watched Spanglish yet. When I say no she goes into her testimony, praising the movie, testifying to its glorious majesty and just condemning my damned soul for not wanting to watch it. My boyfriend is also a devout Spanglish Apostle and has been pressing me to watch this fucking movie for the entire time we’ve been dating. Finally, last night, I curled up on my futon and gave it a chance.
I didn’t hate it right away. I actually fell into its energy and layers quickly. I loved that this wasn’t a typical Adam Sandler movie, I loved that he was hardly in the first half and when he was he wasn’t being boyish, and I slowly began to build an investment in the characters. Tea Loni was hilarious and terrifying, she made me nervous and uncomfortable, a lot like Sarah Jessica Parker in The Family Stone; that sex scene was by far one of the ugliest and funniest I’ve ever seen in a movie. Cloris Leachman couldn’t have been better, I’m convinced that she took that part and ran with it b/c it wasn’t so much the things she had to say, it was the way she moved and reacted to everything that made her so interesting. And of course the Penelope Cruz Lookalike was absolutely charming and captivating and beautiful, totally had me at bueno. A Mexican making her way in strange new places will always win me over.
I really liked where things were going. This movie was about more than a family and their mexican maid, it was about people and the things we’re searching for — it was saying something. It was commenting on class issues, racial stereotypes, and disconnected family ties and just making beautiful nods at the need for a warm connection with other people in this world and the struggle of walking that fine line between movin’ on up and selling out. I comitted to the people in this story. That hilarious fight between the Mexican and Adam Sandler, with the little girl yelling the translations out for both sides, was pure movie magic. As I watched from my futon, I couldn’t help but feel inspired, like maybe everyone was going to learn really valuable lessons in the end and their lifeforces would be enriched and change for the better just from knowing one another, and that maybe even I too might be a better person for watching this movie.
Then it all by way of the devil. Suddenly there was a whole lot less insight into the dynamics of the troubled family and a whole lot more of sweet flirtatious moments between a befuddled Adam Sandler and the lonely doe-eyed maid — only after she started making the effort to learn English, of course. We stopped caring about whether or not the neglected, overweight daughter was ever going to be comforted and reassured that she is beautiful and important. We stopped looking at what it’s like for a woman to leave behind the comfort of her latin community so she can provide a better life for her daughter, what those challenges are like especially when she can’t verbally communicate with anyone. We skipped the grandmother’s struggle and triumph over alcohaulism altogether, like it was never even an issue. Suddenly all we really care about is whether or not the married man with a family is gonna get with the exotic wallflower who really appreciates him. The fact that they don’t actually have a full-fledged affair is irrelevant, he’d spent months pining for her in his heart while he’s MARRIED WITH KIDS and maybe it’s just my Godness kicking in but to me, that’s the same thing. We’re now watching a romantic comedy where Adam Sandler does his quirky sensitive Jew thing to get the girl (the same game we watch him pull in every movie where he lands an impossibly hot girl) and it just makes me annoyed.
I’m getting really sick, by the way, of this frat boy delusion we keep seeing in romantic comedies by guys like Sandler and Vince Vaughn and Jack Black and Jon Faverau where the schlubby loser keeps getting laid? How are we supposed to believe that these chubby underdog ex-fratboys keep landing beautiful, successful women? Are there no more hot guys that fit the bill? When did love handles, jowls, and neck fat jump to the top of Jennifer Anniston’s Requirements To Fuck Me List? I thought women didn’t want no scrubs. Don’t even get me started on Zach Braff’s new movie The Last Kiss. Am I REALLY supposed to be rooting for a guy who wants to put his beautiful pregnant fiance on hold while he runs out and romances someone hotter? Is this basically what happens to his average joe character from Garden State — he got the unattainable girl and became a little overconfidant and thus forgets how, if there’d been hotter more successful guys around at the time, he might’ve never even stood a chance in the first place? Whatever, I’m a hater. Don’t look suprised.
I’m all for plot twists and suprises. I actually love it when a movie goes someplace I didn’t expect it to — again, like in Family Stone, we thought it was about this and this and it ended up having a lot of layers — but if it’s not done well, ugh. I just hated where the movie went in its 2nd half. Fucking hated it. Infidelity runs abound, the white people NEVER made an effort the learn Spanish, the fat daughter is never redeemed, and the little girl narrating the movie gets yanked out her chance for a bright future all b/c her mom kissed the boss’ husband. I don’t get why people loved this movie so much. It left me feeling confused and shaken, the only thing I was sure about is that keeping it real (if you’re ethnic) means choosing poverty over higher education and cheating on a spouse who cheated on you is okay.
I think I need to have a talk with my Mom.